Balcony of the Melantrich Palace
Wenceslas Square 793/36, 110 00 Prague-Prague 1, Czech Republic
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Silence United Us More Than Speeches

Available in: English | Česky

During the revolutionary days of November 1989, Vladimír Merta, one of the most famous singer-songwriters of the eighties, found himself in the crammed Wenceslas Square, on the balcony of the Melantrich Palace. “I played the song ‘Kecy’ (Piffle), opening lyrics of which are: ‘Jsem špatný člověk, který slouží dobré věci, kecy, kecy, kecy…(I am a bad person that serves the right cause, piffle, piffle, piffle…).’ For a while, we sang the refrain ‘kecy’ quietly; I had asked the people to do so to show that we are disciplined. The crowd was whispering and my eyes were filled with tears. That frightening, tense silence united us more than any speeches could. Then all of a sudden, everyone started to sing up. They were blasting away like if they wanted to show that no one could change our minds; that we knew how to scream. The sound rumbled through the Wenceslas Square in all directions! When I was forcing my way out through the crowd, no one clapped me on the back nor said something like ‘you played well’ or something similar, like it was usual at the concerts. No one was interested anymore. The people were so full of their newly found freedom. The era of singer-songwriters as intermediaries, as catalysts of moods, was over. Paradoxically, I realized that few hours after I had played for the biggest audience in my life.”

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Vladimír Merta

Vladimír Merta

Vladimír Merta was born January 20th 1946 in Prague. He was one of the stars of folk music during the normalization era. Together with other folk singers (like Karel Kryl, Jaroslav Hutka or Vlastimil Třešňák), for thousands of people he became a symbol of resistance against the communist regime. His father Augustin Merta, whose memories are also accessible on the Memory of Nation portal, was a WWII veteran from the Western front. Merta claims that his vision is that of film, but that he expresses it in song. During the more liberal era of the late 1960s he was staying in Western Europe for some time. He studied two universities - architecture at Czech Technical University and film and television screenwriting and direction at the Film Academy. From the 1970s he had public appearances as a folk singer. He was holding three to four concerts per month for tens of people. In 1972 he co-founded a free artistic association Šafrán (Saffron). In 1977 the State Secret Police disbanded the association. But while the a joint LP record by Šafrán was banned and the complete release was destroyed on the StB´s order, Vladimír Merta did manage to release his solo record at the end of the 1970s. In a somewhat released atmosphere of the second half of the 1980s, when "going for folk" became a mass expression of public stance, Vladimír Merta was one of the most popular, but also one of the bravest persons, and one of the most inventive as a folk musician. Apart from his career as a singer he was active in other fields as well - he attempted his own film projects, he wrote the screenplay for a full-length film Opera ve vinici (Opera in the vineyard), he directed Čas her (Time of games) and Krajiny duše, krajiny těl (Landscapes of soul, landscapes of bodies). When he was prohibited from public performances, he played in the Viola Theatre or assisted director Pistorius in the Realistic Theatre. For over twenty years he was also performing with a family band Mishpacha, which interprets Jewish folk music. In November 1989 he attended organizational meetings in the Realistic Theatre and in Činoherní klub, and from the balcony of Melantrich in Prague he sang for hundreds of thousands demonstrators. He thus became one of the protagonists of the fall of the Iron Curtain in Czechoslovakia. After 1990, folk singers tried to renew the activity of Šafrán, but the project was troubled with disputes and it did not succeed. Vladimír Merta founded his own music label and book publishing company ARTeM. He has concerts regularly, he accompanies singer Jana Lewitová. He teaches culturology at Charles University and film music at the Film Academy. He writes screenplays and directs documentary films.

Balcony of the Melantrich Palace

Available in: English | Česky

The Melantrich Publishing House was established in 1898, and since 1913, it had its seat in a newly constructed building in the Wenceslas Square in Prague. The balcony of the building is associated mainly with the events that unfolded during the Velvet Revolution. On December 20, 1989, Václav Havel addressed the crowds in the Wenceslas Square and called upon the people to keep resisting the ruling regime.

Balcony of the Melantrich Palace

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Jiří Ješ
Silence United Us More Than Speeches

Silence United Us More Than Speeches

Vladimír Merta
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